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These guitars were imported and often rebranded. Guitars īesson guitars were produced in the 1950s. These instruments are best described as novelty items since they are shoddily built from very thin metal and they are often unplayable (due to faults in the manufacturing) and untunable (the tuning slides are simply ornamentation - they do not work). Similar counterfeit instruments, possibly made at the same factories, have been falsely branded with other reputable manufacturers' names, such as Getzen and Boosey. The fake instruments, particularly pocket trumpets, cornets, euphoniums, bugles and B♭ trumpets, are likely to feature a 'serial number' of H.75983 (or 84059) embossed on the top of the bell and valve keys are often hexagonal in plan view. With cursory examination, any serious brass player would be able to recognise that these instruments are wholly inferior to real Besson instruments, and also of much poorer quality than even the cheapest of student instruments produced by reputable manufacturers. Many sales are made through online auctions. They are unrelated to the Besson instruments manufactured by the company with that name. Ĭounterfeit 'Bessons' instruments Ī flood of very poor quality Indian-made instruments bearing the name Bessons entered the market in the late 1990s. The main difference in configuration between the Desideratum and the Concertiste models is the relationship of the leadpipe to the third valve slide.
#FRENCH BESSON SERIAL NUMBERS PROFESSIONAL#
The company became Groupe Buffet Crampon, with two subsidiaries, in the United States and Japan, and in November 2007, it appointed Antoine Beaussant as new Chief Executive Officer.īy joining the Buffet Crampon Group, Besson has restructured and relaunched its production of professional instruments in Germany and France. Buffet Crampon acquires two famous brass instrument brands, Antoine Courtois Paris (created in 1803) and Besson (created in 1837). In 2006, at the initiative of its CEO, Paul Baronnat. In 2003, Boosey & Hawkes separated from the cream of the crop in French wind instrument manufacturing, to join The Music Group. In 1948, the group Boosey & Hawkes acquired the Besson London brand. In 1925, Besson purchased Quilter, and Wheatstone & Co. In London, at the same time, Boosey & Co and Hawkes & Sons of England merged to create the group Boosey & Hawkes.Īt the end of the nineteenth century (1894), the Besson factory of London employed 131 workers, producing 100 brass instruments a week, and no less than 10,000 musical ensembles appeared on their contact lists. In 1957, Couesnon bought the French company Fontaine Besson. In the 1930s in Paris, Strasser Marigaux and Lemaire, SML, all produced instruments for Besson with Aubertin. Blaikely, the inventor in 1878 of an automatically compensation tuning system for valves collaborated with Distin, and together they developed a new range and improved existing models. He created a new line of instruments under his own name, and in 1872 the Distin brand was bought by Boosey (a music publisher since 1792, and a manufacturer of instruments since 1851).
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Henry Distin and his new fluegel horn were active in the development of brass bands in England. Following Gustave-Auguste Besson’s death in 1874, the company changed its name, becoming Fontaine-Besson in 1880 in France, and Besson in England.Īt the same time, another English manufacturer was becoming well-known: Henri Distin, born in London in 1819.
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Over the following years, Besson continued to manufacture in Paris and London, and also had warehouses for distribution in Brussels, Charleroi, Madrid and Barcelona.
#FRENCH BESSON SERIAL NUMBERS SERIES#
In 1858, following a long series of lawsuits with Adolphe Sax, Gustave-Auguste Besson left Paris to build a factory in London. His instruments became famous in Europe, and he has been credited with over fifty inventions. In 1837, Gustave Auguste Besson (1820–1874) created the Besson brand in Paris with his new cornet.